Wisconsin--Aizuri-e, oil/canvas, 7'X6,' 1986
David I, oil/canvas, 8'X6,' 1992
SELECTED BIBLIOGRAPHY:
ARTICLES:
Albright, Thomas, "A Potpourri of Art That Should Be Judged Guilty," The San Francisco Chronicle, Nov. 5, 1980.
Anderson, Roger, "Big Pictures, Minor Miracles," Express, April 6, 1990.
Baker, Kenneth, "Vigor and Diversity in Oakland," The San Francisco Chronicle, May 13, 1990.
Bealer, Cheryl, "Art and Activism," The Montclarion, June 18, 1993.
Brokl, Robert, "Change and Growth," CSP News Brief, Winter, 2006. Ill. de Young Kimball Gallery installation.
Cheng, DeWitt, "Picks--Berkeley Arts Festival Painting Show," East Bay Express, Aug. 3-9, 2011.
Cohn, Terri,"A Legacy for the Future,"Artweek, Aug. 8, 1987.
Curtis, Cathy, "Standouts at 'Open' Exhibit," The Berkeley Gazette, Nov. 9, 1980.
_________."Young Artists Show Well In 'Works on Paper'," The Berkeley Gazette, Feb. 26, 1982.
Dulkey, Victoria, "Art Show at Cal Expo Draws Heaps of Praise
for Variety, Liveliness," The Sacramento Bee, Nov. 17, 1979.
Dunham, Judith, "The Woodcut Joins the Mainstream," PrintNews,
Spring, 1986. Ill.: Full Moon-Aquatic Park, 1984.
Gant, Michael S., "On the Etch: Printmakers show at WORKS displays wide range of tastes and techniques," San Jose Metro, Jan. 21, 2004.
Fancher, Lou, "Landscapes by local artist chronicle changes to California's natural world," Piedmont Exedra, March 1, 2022.
Heyward, Carl, "Community of Prints: Laney College and the CSP," The California Printmaker News Brief, Oct., 1998.
Hurley, Anne, "Fossilized Funk," The San Francisco Bay Guardian, April 18, 1990.
Jagger, Patti, "Beautiful Bums and a Return to Romanticism," Metier, Winter, 1985.
Journal of the Print World, "Robert Brokl to be Artist-in-Residence," Spring, 2006. p. 17. Ill.: Pugsley Line-up, 2005, and Cat Fishing, 2004.
Kennelly, Marty, "New Romantics Offer Vision with a Dose of
Reality," The Daily Review, Hayward, Ca., March 7, 1986.
Koppman, Debra, "Previews," Artweek, Sept., 2005. Ill.: Sylvester, Pugsley, Kon-Kai Squabble, 2004.
McDonagh, Michael, "New Views," California Printmaker, April, 1985.
______________. "Review: Around and About," California Printmaker, Summer, 1988.
Norman, Maxine, "Bay Area Romanticists to Show Featured Work at
Campus Gallery," The Pioneer, Hayward, Ca., April 8, 1986.
Nusbaum, Eliot, "Drake hosts 'Rose Bowl' of the Printmaking
art", Des Moines Register, April --, 1993.
Present, Joanna, "Print show in Stinson," Point Reyes Light, June 24, 1999.
Sadeghi, Andrea, "Twenty-nine Degrees," The Daily Californian,
Aug. 6-12, 1982. Ill.: View from my Studio, 1982.
Shere, Charles, " 'New Romanticism' Gains Credibility," The Tribune, Oakland, Ca., March 11, 1986.
Scarborough, Jessica, "Prints '85," Metro, San Jose, Ca.
Swift, Harriet, "Diversity is the theme of Oakland's artists," The Tribune, Oakland, Ca., May 1, 1990.
Van Proyen, Mark, "Glamour and Romanticism," Artweek, March 15,1986. Ill.: The Red Lamp, 1984.
_____________. "Rampant Diversity: Something for everyone is thesis of Oakland's Artists '90 show," Artweek, May 10, 1990.
Artweek, "2006 Gottlieb Grants," July/August, 2006.
Marin Independent Journal, "Best Bets: Pushing the envelope," Sept. 8, 2005. Ill.: Six ModernHeads I, 1999.
The Advocate, "Painter-Activist in the Berkeley-Bloomsbury Traditions," Nov.17,1978.
The Print Collector's Newsletter, "Museum and Dealer Catalogue's," "The Cutting Edge'," Sept.-Oct. 1987, p. 141
Westart, "National Print and Drawing Exhibition," Dec. 20, 1985. Ill.: "Full Moon-Aquatic
Park, 1984
CATALOGUES:
The Advocate Show. New York, New York: Hibbs Gallery and Visual
Arts Center, 1981. Ill.: Russian River Nudists, 1981.
Berkeley Poets Cooperative/27. Berkeley, Ca., 1986. Ill.:
The Second Meeting with Virginia Woolf, 1980; Tall Nude with Bit
of Landscape [Night Version], 1980; Japanophile, 1981;
Ludwig on Chair, 1982; Mendocino Coast, 1984.
Beyond Fragments: After the Earthquake, Oakland, Ca.: Pro Arts
Tempspace, 1990. Ill.: Figures on a Bridge: Noir, 1989.
California Printmaking, Claremont, Ca.: Lang Art Gallery,
Scripps College, 1987. Ill.: Weeping Willow, 1986.
California Society of Printmakers One Hundred Years 1913-2013, Ill.: Weller Frog and Albers
Painting, 2011.
Contemporary Art Print the World, International Art Center,
Kyoto, Japan/Misool Gongron Sa (Press Publishers), Seoul,
Korea, 1989. Ill.: Mendocino Coast, 1984-86; Figures on a
Bridge (after Hiroshige), 1987-88; Willow Bridge, 1988; Full
Moon-Aquatic Park, 1984-86; Weeping Willow, 1986.
Contemporary California Prints. San Jose, Ca.: San Jose Museum
of Art; Davis, Ca.: University of California, 1982. Ill.:
Ludwig on Chair, 1982.
Contemporary Relief-Printmaking. Texas City, Texas: College of
the Mainland Art Gallery, 1992. Ill.: Cats, 1992.
Contemporary Romanticism. Hayward, Ca.: University Gallery,
California State University, 1986. Ill.: The Red Lamp, 1984.
The Cutting Edge: A Relief Print Exhibition by Members of the
California Society of Printmakers. San Francisco Ca.: University
Art Department Gallery, San Francisco State University, 1987.
Ill.: Mendocino Coast, 1984.
Dream Riddle, Walnut Creek, Ca.: Bedford Gallery/Regional Center
for the Arts, 1994. Ill.: After Yoshitoshi II, 1990.
Extraction: Response to the Changing World Environment 2021. Pacifica, Ca.: Sanchez Art Center, 2021. Ill.: Edison Lake, 2020.
International Triennial Woodcut and Wood Engraving 1998. Banska Bystrica, Slovakia,: State Gallery. Ill.: Lozenge, 1997.
33rd Annual Emeryville Arts Exhibition, Emeryville Celebration of the Arts, Emeryville, Ca.
Ill.: Three Trees, 2018.
The 11th International Impact Art Festival '90. Kyoto, Japan.:
Kyoto City Museum, 1990.
The 12th International Impact Art Festival '90. Kyoto,
Japan.:Kyoto City Museum, 1991. Ill.: Winter/Summer, 1991.
The 13th International Impact Art Festival '92. Kyoto, Japan.:
Kyoto City Museum, 1992. Ill.: Cats, 1992.
The 14th International Impact Art Festival '93. Kyoto, Japan.:
Kyoto City Museum, 1993. Ill.: Six Davids, 1993.
The 15th International Impact Art Festival '94. Kyoto, Japan.:
Kyoto City Museum, 1994. Ill.: Six Antique Heads, 1993.
The 16th International Impact Art Festival '95. Kyoto, Japan.:
Kyoto City Museum, 1995. Ill.: Dionysian Scene, 1995.
The 17th International Impact Art Festival '96. Kyoto, Japan,: Kyoto City Museum, 1996. Ill.: Antinous II, 1995.
The 18th International Impact Art Festival '97. Kyoto, Japan,: Kyoto City Museum, 1997. Ill.: India V, 1996.
The 20th International Impact Art Festival '99. Kyoto, Japan,: Kyoto City Museum, 1999. Ill.: Lions and Elephants, 1999.
The 21st International Impact Art Festival 2000. Kyoto, Japan,: Kyoto City Museum, 2000. Ill.: Untitled (Stella Stripes), 2000.
The 22nd International Impact Art Festival 2001. Kyoto, Japan,: Kyoto City Museum, 2001. Ill.: 9 Roosters, 2001.
The 23rd International Impact Art Festival 2002. Kyoto, Japan,: Kyoto City Museum, 2002. Ill.: Couple III, 2002.
The 25th International Impact Art Festival 2004. Kyoto, Japan,: Kyoto City Museum, 2004. Ill.: Sylvester, Kon-Kai, Pugsley, 2004.
The 26th International Impact Art Festival 2005. Kyoto, Japan,: Kyoto City Museum, 2005. Ill.: Pugsley X 9.
The 27th International Impact Art Festival 2006. Kyoto, Japan,: Kyoto City Museum, 2006. Ill.: Pugsley v. Hairry.
The 28th international Impact Art Festival 2007. Kyoto, Japan,: Kyoto City Museum, 2007. Ill.: Pugsley X 4.
Japan Print Association Exhibition. Tokyo, Japan.: Tokyo Museum
of Art, 1986. Ill.: For Yoshitoshi, 1985.
Northern California Print Competition 1986. Palo Alto, Ca.:
Pacific Art League of Palo Alto. Ill.: Weeping Willow, 1986.
Oakland's Artists '90. Oakland, Ca.: The Oakland Museum. Ill.: Willow Bridge, 1989.
Pressing Issues: Monotypes, Monoprints, and Hybrid Prints, Gualala, Ca.: The Gualala Art Center, 2007. Ill.: Sylvester, Pugsley, Kon-Kai Squabble, 2004.
Prints USA: First Overseas Exhibition by the California Society of Printmakers. San Francisco, Ca.: World Print Gallery, 1984, etc. Ill.: Ludwig on Chair, 1982.
Pro Arts Annual Exhibition. Oakland, Ca. Ill.: Figures on a Bridge (and Crow), 1989.Pro Arts 1991 Annual. Oakland, Ca. Ill.: Figures on a Bridge (Spring), 1989.
Stockton National '85. Stockton, Ca.: The Haggin Museum, 1985.
Ill.: Full Moon-Aquatic Park, 1984.
XIIth International Biennale Woodcut and Wood-Engraving 1992. Banska Bystrica, Slovak Republic: State Gallery, 1992. Ill.: David, 1992.
Tradition and Innovation: 1500-1989; Recent Acquisitions of the Achenbach Foundation for Graphic Arts. San Francisco, Ca.: Fine Arts Museums of San Francisco, 1989.
27th Annual: Painting. Richmond, Ca.: Richmond Art Center, 1980.
UCLA National Student Printmaking Exhibition. Los Angeles, Ca.:
Grunwald Center for the Graphic Arts, Frederick S. Wight Art
Gallery, University of California, Los Angeles, 1981.
*82 review 9.3, www.star82review.com, 2021. Ill.: Midwest V, Guatemalan Masks, Mendocino I.
BROCHURES:
Dunham, Judith. New Impressions: Recent Prints by Bay Area Artists. San Francisco, Ca.: World Print Gallery, 1984. Ill.: Full Moon-Aquatic Park, 1984.
Hazelwood, Art. California in Relief: A History in Wood and Linocut Prints. Moraga, Ca.: Hearst Art Gallery, St. Mary's College of California, 2009.
The Light is Different in California. New York, New York: Pratt
Manhattan Center Gallery, 1980.
Twenty-nine Degrees. Berkeley, Ca.: University Art Museum, 1982.
Ill.: Violent Flowers, 1982.
SFMOMA News MayJune 99. San Francisco, Ca.: San Francisco Museum of Modern Art Rental Gallery, 1999. Ill.: Announcement, 1999.
San Francisco Museum of Modern Art Rental Gallery. San Francisco, Ca.: SFMOMA Rental Gallery, 1998. Ill.: Scena Dionisiaca I, 1993.